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the art of solitude
(work)
by rafat ali

Sometimes the biggest decision of the day is deciding between an empty computer lab and an almost filled-up lab. Of course, it is hardly science; it depends on the prevailing mood of the day. Depends on whether you want to listen to music on the speakers or your headphones. Depends on whether you think
TB Sheets
sounds better piercing through your head, or as background static. Depends on how disembodied you're feeling. Depends on whether you want to ruminate over how alone you are--in a crowded or an empty room.

On Friday nights, the decision is a no-brainer.

It is a night of losers in the computer lab. The labs are empty enough for you to be conspicuous, and yet anonymous enough for you to be comfortable in your own insecurities. In a room of 25 computers, exactly four people, including me, are currently typing away on their keyboards or staring at the screen. Each of us is sitting in the four corners of the room. On nights like these, about half of them are in chat rooms, chatting, in all probability, with people like them: losers.

If you have read the celebrated recluse Henry Thoreau, his writings on solitude almost sound ironic when compared to the "chatting masses" in this day and age. In his most influential book, Walden, he wrote about the cycle of his life at Walden Pond, a lake about two miles from the center of Concord where he lived from 1845 until 1847. Describing the solitude when he was living alone in woods, he said, "This whole earth which we inhabit is but a point in space. How far apart, think you, dwell the two most distant inhabitants of yonder star, the breadth of whose disk cannot be appreciated by our instruments? Why should I feel lonely? Is not our planet in the Milky Way? This which you put seems to me not to be the most important question. What sort of space is that which separates a man from his fellows and makes him solitary? I have found that no exertion of legs can bring two minds much nearer to one another."

In the lab, where Thoreau's statements are uncannily true, almost all of us use headphones, probably listening to music. On normal days, this is a convenient way to drown out the noise. On morbid days like these, it is a way to create some noise, to distract from the utter silence of the room. Clicks have a way of amplifying anxieties and loneliness, so the fewer clicks, the less you give away. It invariably tends to be a click-frenzy night.

The lights here are always on. They have to be; the wide-open spaces need to be filled up, if only by ether. In an empty room, the fluorescent light invariably creates this feeling of caustic cleanliness. It is this feeling of being completely transparent and completely disassociated. The windows here are either in abundance or completely absent. Windows and lights, complementary and yet parasitic.

Rarely does somebody walk in. If someone does, all faces turn toward the door, peering out with the same semi-expectant look. It is almost never anyone you know, somewhat of a relief, if you think about it. The new person is almost too embarrassed to step in and disturb the peace. He (and it is almost always a "he") retreats to a corner, eager to go unnoticed. He has joined the silent communion of losers.

Even the lab consultant seems to add to the stupor. Normally, the consultants would be pacing around the labs every hour, making sure everything is working. Tonight is a different attitude, a difficult attitude. Officially, it's called the "Graveyard Shift." Little do they realize how uncannily accurate they were in the description. It is the graveyard of human energy. It is the detritus of human interaction. It is the debris of human will. Rejoice.

Copyright © 2000 Rafat Ali. All Rights Reserved.

Rafat Ali is an angry young helper, whiling away his time as a master's student in journalism at Indiana University. He is also the chief designer and Webmaster of www.thesynapse.or, an online zine of contemporary thought.

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